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Creative Nonfiction: What It Is, Why You Should Use It And How

Creative nonfiction is a genre of writing that combines the formality and factual basis of traditional journalism with the more subjective creativity of storytelling. This blog post will discuss what it means to write in this genre, why it matters and how you should approach it.

What is creative nonfiction?

The genre of creative nonfiction is one of the most interesting kinds of nonfiction, and a popular way to present fact-based literature. Particularly effective in historical writing, biographies and world affairs, it can often read like a novel despite being based firmly in real-world truths. It blends the factual reporting typical of journalism with more creative approaches to connect ideas, develop themes and weave a broad tapestry of narrative. Creative nonfiction can make connections between isolated facts that are real, but difficult to see when each element is viewed independently.

Creative nonfiction is often written without a strict chronological order, which allows it to be flexible and free-flowing while still grounded in truthful events. It may contain subjective commentary that can color those events, often by pulling in archival reporting or dialogue from the time, as well as first person narratives by witnesses as they recount past events. Using these sources naturally lends itself to interpretation and sometimes bias, but a good creative nonfiction will balance personal accounts to provide a full picture of events.

Why is creative nonfiction important?

Creative nonfiction is a valuable tool to educate and build new understanding. Unlike old-fashioned history books that provided dry, date-filled accounts of events from a high level point of view, creative nonfiction works to bring the reader into the events, giving glimpses of what really happened from very personal perspectives. Whereas old-fashioned history books set out merely to inform, creative nonfiction wants to enlighten.

As a nonfiction writer, it’s important to be able to employ an array of tools and techniques in order to create a compelling piece. Facts are essential, as is the proper presentation of interviews (no mis-quoting!). But from this framework of truth certain ideas will emerge, and the writer can choose what to highlight in order to bring those ideas to life. Creative nonfiction allows the writer more freedom to emphasize certain themes or viewpoints within their work while still being grounded in reality.

What are the 6 characteristics of creative nonfiction?

Creative nonfiction tends to focus on real-life events and people. Sometimes it can be categorized as journalistic because it contains well-cited research from primary sources or interviews with witnesses. But whereas traditional journalism usually steers clear from offering personal opinion within a piece, creative nonfiction gives the author freedom to provide commentary and insights about the facts.

Another characteristic of creative nonfiction is its use of dialog passages or first person narratives recounting events – this could be anything from public speeches, private conversations, journal entries, letters, old interviews and so on.

What are the key elements of creative nonfiction?

There are 6 elements to creative nonfiction:

Everything is based on facts
Direct use of primary references and witness accounts
Many scenes are told in a fiction-style narrative
A sense of progression, even of story, in the narrative
A commonality of theme that is introduced early, built upon and brought to conclusion
Thoughtful commentary from the author to tie everything together

Dialog in creative nonfiction

Scenes in creative nonfiction often include dialog. Many times these are direct transcripts from official or public records, and even though they may be edited for style (the removal of words like “umm,” etc.) and sometimes edited for content (to remove side topics that were discussed at the time but that are irrelevant to the theme of the book) they will be true to the meaning of the original.

When no such transcripts exist, dialogs can sometimes be re-imagined based on reliable witness accounts. In this case the exact wording of the dialog will be the invention of the author, but the meaning behind it will be true to the facts. In cases like this, it’s best, as the author, to make it clear to your reader which dialogs are direct transcripts and which are recreations.

What is an example of creative nonfiction?

There are many great examples of creative nonfiction. Here is one of my personal favorites:

What makes good creative nonfiction?

Good creative nonfiction should have a unique voice and theme. It has to have a purpose – a point it wants to make. Creative nonfiction may be based in facts, but it is never a dry recitation of those facts. The author’s task is to find meaning within those facts and bring the people and events to life within that meaning.

If a work is exploring a famous historical event it certainly won’t be the only book on that subject, so the author will need to imbue the work with a new perspective. There may possibly be new information that’s come to light, or a new eye-witness has agreed to share their thoughts. It needs to be grounded in reality, but the author can choose what parts of reality to emphasize or focus on to tell the story. This can create vastly different books talking about the same person or event – and both of them, if written well, will be true and accurate.

For example, two authors set out to discuss the Battle of Britain from the perspective of a single Royal Air Force squadron. But one author focuses on the mechanics desperately trying to keep the Spitfires ready to fly, while the other author follows the pilots as they endure the exhaustion and stress of near-constant battle. These two books are covering the same historical event, will mention the same battles, will describe in detail the same buildings and aircraft, and may even share characters. But they will be very different from each other.

How do you write creative nonfiction?

The best approach to writing creative nonfiction is to write from personal experience and set your own narrative. If you can report on real events as a witness you’ll bring your own unique perspective to the historical facts. But even if you’re separated in time and space from the events, you can still bring your own personal experience into the narrative.

For example, you might want to write a creative nonfiction book about ancient Rome. If you’re a civil engineer, your own training and experience can bring to light many fascinating details of how the Romans built their cities. If you’re a teacher, you can offer intriguing insights into the emphases Romans put into their education system and how that shaped their society.

Ultimately, creative nonfiction is intended to enlighten, and your personal perspective as an author will help you do that.

How do you analyze creative nonfiction?

Reading creative nonfiction is the best way to understand it. There are many great examples out there and the more you read the better prepared you’ll be to embark on your own project. But how do you analyze creative nonfiction? How do you “get behind the curtain” and learn how your favorite authors do what they do?

The first thing to do when analyzing creative nonfiction is to figure out what type of voice the author is using. Is it personal and intimate? Or objective and detached? Or cynical and funny? The tone of the writing gives the first clue to what sort of theme the author is exploring, and what kind of thoughts and feelings they wish to evoke in their reader.

The second thing to do is look at how the story unfolds. Does it follow a purely chronological path, or do the chapters jump back and forth in time? Does one thing seem to lead naturally into another, or does the narrative seem to be broken into separate paths (with them hopefully all coming together at the end)? Leaving the reader puzzled (for a short while) can even be a technique in creative nonfiction, if the author wants to force the readers to think for themselves.

As with anything, the more you study and practice, the better you’ll be at it. Good luck!

Best wishes!

If you enjoyed this article and are in the process of writing a nonfiction book, be sure to check out my free nonfiction success guide, drawn from years of experience editing books for bestselling authors (including a New York Times bestseller) and ghostwriting for CEOs and politicians. Simply click here to get instant access.

Ben

Leave me a comment below if you have any questions or a specific need that I can help you address – I operate an author services firm that specializes in helping entrepreneurs, professionals and business owners who want to publish books as a calling card for prospects, to establish their status as an expert or to generate additional leads for their businesses.

Here are some related posts I highly recommend:

The 7 Most Effective Book Promotion Ideas For Nonfiction Authors

How to Find The Best Book Marketing Services For Nonfiction

How to Promote Your Nonfiction Book to Rank High on Amazon

Bennett R. Coles is an award-winning author of six books published through Harper Collins (New York) and Titan Publishing Group (London). He is also the publisher at Promontory Press, editor for multiple bestselling authors (including a NY Times bestseller), ghostwriter for CEOs and politicians and the founder of Cascadia Author Services, a boutique full-service firm that specializes in premium author services specifically designed for busy professionals. Our end-to-end services include writer coaching, ghostwriting, editing, proofing, cover design, book layout, eBook production, marketing, printing and distribution.

How Many Sentences Are In A Paragraph?

by Bennett R. Coles Leave a Comment

If you’re unsure about how many sentences are in a paragraph, then this post is for you. You’ll find out what the purpose of a paragraph is in nonfiction and fiction writing, how paragraphs should be structured, their typical length, and the number of sentences in a typical paragraph.

What’s the Purpose of a Paragraph?

A paragraph is a group of sentences that are related to each other. Most of the time they’re related by subject – that is, every sentence in a paragraph is connected to the same topic. Most topics require multiple paragraphs to explore fully, but each paragraph should, by itself, fully encapsulate a single idea.

Sometimes a paragraph will introduce a new idea without fully exploring it, instead providing a transition into the next paragraph where that idea will be examined.

How Are Paragraphs Structured?

Paragraph structure depends on whether you’re writing fiction or nonfiction. A typical paragraph in fiction will capture a single idea in the drama. Examples include: a description of the scene; the complete movement of the character (such as entering the room, or completing a fight move); the complete thought process of a character; the description of a single item in the drama (such as the journey down a road, or the description of a dinner party).

Sometimes a fiction paragraph is very short – even a single sentence or even a partial sentence. This technique is used to add suspense or tension, either by adding stark emphasis on what has just happened, or interrupting the narrative with a surprise.

In nonfiction, the most common type of paragraph is the topic-sentence paragraph, which opens with introductory material related to the subject before transitioning into the supporting details. This sort of paragraph will typically have three main sections, introduction, support (or body), and conclusion.

How Many Sentences Are In A Paragraph?

The length of a paragraph varies depending on what style you’re writing in.

Fiction Writing

Because fiction writing varies so much based on style, it’s difficult to give a single answer to this question for all of fiction. But there are some guidelines we can consider.

First, the general style of fiction writing in recent decades has continued to move toward brevity. Many classics of English literature, such as the works of Charles Dickens, contain very long, descriptive paragraphs.

Others, such as the works of J.R.R. Tolkien, move forward at a leisurely pace, giving ample description not only of the scene but also of the character’s thoughts and even backstory.

Today, fiction writing is considered best when it’s brief. The reader is expected to use their imagination to “fill in the details” of a scene, which the author will describe in a few well-chosen sentences that provide more of a feel for the scene rather than every specific detail.

You certainly can provide specific details, but only do so if that detail is crucial to the story. In modern fiction writing, highlighting a detail is a signal to the reader that they need to remember that detail for later.

The move toward brevity also demands shorter paragraphs, so when you consider which idea your paragraph is going to encapsulate, think smaller rather than larger. If, for example, your narrative requires you to describe an entire school gymnasium during a basketball game in some detail, don’t try to fit it all into a single, massive paragraph.

Have one paragraph to describe the overall look and feel of the gym, a second to describe the two teams playing and a third to describe the cheering fans.

A good rule of thumb is to limit your fiction paragraphs to four or five sentences. It’s fine to occasionally stretch to six or even seven, but do so sparingly. Also try to mix up the narrative with shorter sentences as well, especially when your scene is high-tension and demands a brisk pace.

Dialog is an important part of fiction, and it obeys its own rules for paragraphs. In general, always start a new paragraph when a new person begins to speak. Sometimes dialog paragraphs can last for several sentences, but more often each one is short – often one or two sentences.

A line of dialog is sometimes only one word! Even so, you still need to start a new paragraph when the next person begins to speak.

You can combine dialog and narrative into a single paragraph, but only if the two ideas are directly connected. Usually the narrative sentence will describe an action by the character who is speaking that line of dialog.

It’s best to have the dialog come first and be followed by the narrative companion sentence, but it is acceptable to reverse this if the action must precede the speech.

Nonfiction Writing

In nonfiction writing, the first sentence of a paragraph typically introduces its topic and subsequent sentences discuss it in more detail, followed if necessary by a concluding sentence.

As in fiction the number of sentences in a typical paragraph can vary based on the style or subject matter of the writing. Nonfiction can generally get away with longer paragraphs than fiction because of the more coherent structure of nonfiction paragraphs, but even so the modern move toward brevity applies to nonfiction as well.

Think about how many times you’ve had to read a painfully boring (or confusing) nonfiction work. One of the biggest reasons readers get lost in nonfiction writing is over-long paragraphs that try to deliver either too many ideas or too many details supporting a single idea.

Because nonfiction very often is about the details, the need for in-depth paragraphs is real. But even so, it’s usually possible to break down a big idea into several sub-ideas and give each one of them its own paragraph. These sorts of linked paragraphs often don’t need a concluding sentence, because the subject matter moves clearly and smoothly from one paragraph to the next, but topic sentences are still very important.

Transition paragraphs should be short, with few details on offer. Their purpose is to reorient the reader to a new topic, but not to delve into that topic. A short transition paragraph – two or three sentences – is sufficient to set up the next paragraph, which properly explores the new topic.

When writing nonfiction be sure to study other works in your field to get a sense of what the norms are. Self-help nonfiction is very different from investigative journalism, for example, and nonfiction audiences are less forgiving than fiction audiences if you unintentionally ignore the conventions of your genre.

As a rule of thumb, though, start with six to seven sentences for a typical nonfiction paragraph. This is enough room for your topic sentence and the supporting details you need to fully expand your idea (or sub-idea).

On occasion you can stretch this to eight or nine sentences if required to get your idea across, but try to save this sort of length for key points or chapter conclusions. And no-one will ever fault you for shorter paragraphs, so long as they contain a complete and coherent thought.

Conclusion

Determining the right number of sentences for your paragraph is more of an art than a science, and it can be affected by your subject matter and the style of writing expected in your genre.

But if you can use the above rules of thumb for fiction and nonfiction you’ll be in good shape to build your narrative around well-organized and easily digestible topics which your reader will enjoy.

Best wishes!

Ben

Here are some related posts I highly recommend:

The 7 Most Effective Book Promotion Ideas For Nonfiction Authors

Learn How to Market a Nonfiction Book to Get Solid Results

How to Find The Best Book Marketing Services For Nonfiction

How to Promote Your Nonfiction Book to Rank High on Amazon

20 Powerful Ideas to Promote Your Nonfiction Book

5 Things You Should Know About Writing Realistic Fiction

by Bennett R. Coles Leave a Comment

This post is about realistic fiction, what it is and how to use it in your writing.

A realistic story is one that mirrors real life. So, the characters are not superheroes or magical beings. Realistic characters are based on people who live in the world we know today, with all its complexities and challenges.

Although, technically speaking, realistic stories could take place in the future (using “realistic” characters by today’s standards, that is) most take place in the present or in the recent past and must always be grounded in reality.

What Is Realistic Fiction

Realistic fiction is often called literary or contemporary realism because plots include ordinary people like you and I living their lives as they would be lived today — with all the ambiguity, unpredictability, complexity, messiness and nuance that goes along with our times.

Realistic fiction often explores issues faced by typical people living in our present day world, such as addiction, disability, discrimination, depression, and so on.

How to Write a Book In This Genre

To write realistic fiction and get your reader to buy in, you need to provide them with concrete details of a credible world. So, always make sure that your story is believable and your characters are relatable.

Readers need evidence from their own lives in order for your realistic fiction story to speak to them — you want readers seeing themselves in every paragraph.

In other words, your fiction will take on a quality of realism if you write about the lives, feelings, problems and joys of people who are much like them in some fundamental way.

If you were to sum up in one word the key of your success in writing good realistic fiction, that word would be research.

As you lay out your plot, make sure that you research every detail of your story to make sure it’s grounded in reality. If not, your fiction story won’t feel “realistic.”

For example, you could be describing a dystopian sci-fi future in extreme detail and yet it’ll never feel “real” to your readers because it won’t match any sense of reality they would have ever been exposed to.

5 Things You Should Know About Realistic Fiction

Characters: It’s important to develop your characters and their relationships with each other in a way that’s always relatable to your readers.
Point of View: Focus on one character’s point of view at a time. Try not to focus on multiple POVs concurrently.
Dialogue: Be sure to include dialogue that sounds the way real people talk (e.g. no “Yoda” like dialect.)
Setting: Develop your setting so readers can feel a sense of having experienced it before.
Research: Research is essential for realistic fiction to work. Now, you can always do online research to keep your costs down, but if you can afford to, visit the actual locations you’ll be writing about.

Finally, read memoirs from that place or time period, use photographs and videos for inspiration, and so on.

Wrapping Things Up

Realistic fiction is a genre of literature that weaves together realistic and believable events with made-up characters and circumstances.

This will give your story a sense of depth and balance, allowing for suspenseful twists in your plot lines without straying too far from reality. You can use this type of fiction sub genre to teach your readers about the world, themselves and their values.

Keep in mind that writing believable characters isn’t just about making them look or act like “real people;” it’s also about giving them thoughts, feelings, emotions, goals and dreams as well as flaws so they’re more than one dimensional caricatures of reality.

Above all, have fun with it!

Best wishes!

If you’re working on a nonfiction book, be sure to check out my free nonfiction success guide, drawn from years of experience editing books for bestselling authors (including a New York Times bestseller) and ghostwriting for CEOs and politicians. Simply click here to get instant access.

Ben

Here are some related posts I highly recommend:

The 7 Most Effective Book Promotion Ideas For Nonfiction Authors

How to Find The Best Book Marketing Services For Nonfiction

How to Promote Your Nonfiction Book to Rank High on Amazon

Punctuation Marks: A Guide for Nonfiction Writers

by Bennett R. Coles Leave a Comment

I know – grammar class was like the most boring class in school. And punctuation marks were never an exciting topic. But punctuation will make or break your writing.

Punctuation marks are important to the flow of a sentence. They insert necessary pauses, they provide clarity, they create links and they express emotion. Punctuation marks can also make the same words convey different meanings, depending on how they’re used. This article will talk about why we use punctuation, outline some basic punctuation rules you really should know, and give an overview of some of the most important punctuation marks in nonfiction writing.

Why Do We Use Punctuation?

Punctuation marks bring structure to a sentence. Without them you just have a series of words that can be interpreted in multiple ways unless they’re given the right context. Punctuation is what adds that context, providing meaning and clarity to sentences. Take this example:

“Some people find inspiration in cooking their families and their dogs.”

Compared to…

“Some people find inspiration in cooking, their families, and their dogs.”

Or how about this example:

“A woman without her man is nothing.”

Compared to…

“A woman: without her, man is nothing.”

In both cases we have the exact same words in the exact same order – but dramatically different meanings. I hope you can see why punctuation matters.

Punctuation is essential to effective writing and it uses very consistent rules. Make sure you know the rules well.

What Are Punctuation Rules?

Punctuation marks are each designed to perform specific functions, and they each have clear rules attached to them. While some punctuation marks are sometimes interchangeable, such as the comma or the dash for a subordinate clause like this one, every punctuation mark is meant to be used consistently. Even in the cases where you can choose one of several punctuation techniques – such as using a dash instead of commas to separate a subordinate clause like this one – there is probably one punctuation mark which is better in each specific instance.

Here are some basic punctuation rules:

Commas, these little marks you see before and after this clause, help separate thoughts within a sentence. They can also help out in lists, summaries, and collections.

Semicolons are used for linking two closely-related sentences into one; they’re particularly good when the two related thoughts are of equal importance.

A colon can also link two related sentences, but there’s a twist: when you use a colon, you’re indicating that the second sentence is more important.

Colons can also be used for other purposes: starting lists, adding emphasis, and introducing concluding thoughts.

Parentheses can enclose information (like side comments or clarifications) that may be interesting but don’t affect the main point of the sentence.

Periods indicate that the sentence is complete.

Question marks, like they sound, are placed at the end of any sentence which is a question. Is this always the case?

Yes! Exclamation marks are used to add emphasis to a thought.

What Are the Most Important Punctuation Marks?

While there are many punctuation marks in English, there are about a dozen that are most commonly used in the nonfiction genre.

The Comma, the Semicolon and the Colon

The comma is the primary mark for separating thoughts, ensuring clarity and making what we’ve written easier to understand. The comma is the main tool for structuring thoughts within a single sentence, giving the reader a moment to pause before going on to the next thought.

The semicolon and the colon each connect two related sentences more closely than a period. Both punctuation marks can also be used in lists: the colon to start a list and the semicolon to separate the items in a list.

The Period

The period is the mark that indicates the end of a sentence. It’s used to complete sentences and to mark an abrupt pause or a thought change. It can also be used for a particular kind of emphasis if you really want to drive a point home, but use this technique sparingly. Very. Sparingly.

Dashes and Hyphens

Dashes and hyphens connect things in a sentence. They’re both horizontal lines – like this – but the dash is the longer of the two and is used to connect related ideas or show a dramatic interjection as one idea jumps to a new one. The hyphen is shorter and is most commonly found connecting two words, like ninety-five, to form a single idea.

Dashes give you a way to jump from sentence to sentence in a way that is abrupt but also connected – kind of like the way we speak. This is a specific style, though, and not always acceptable in nonfiction writing.

Brackets

There are different kinds of brackets, but they all share a similar function: to enclose content you want to highlight in the text. Often this highlighted text isn’t necessary for the main idea of the sentence but it adds something of interest.

Brackets can also allow you as the writer to offer opposing ideas intertwined in the same sentence. For example, you might think that using brackets is poor style (even if the style guides approve) because it clutters the sentence (but adds depth).

Brackets can also be used for noting small details or providing information that otherwise would be left out of your paragraph.

The Apostrophe

Apostrophes are used for contractions and possessives. An example of a contraction is “don’t” versus “do not” – the words have been pushed together into one and the apostrophe indicates the missing letter. Possessives in English are always indicated by the addition of an apostrophe followed by the letter s. So the “bike belonging to the boy” becomes the “boy’s bike”.

Depending on what country you’re in (and what style guide you’re using) if a word already ends in s then you’ll still use the apostrophe to indicate possession but you may or may not add a second s. If the bike belongs to James, for example, in America it would be “James’s bike” but in the United Kingdom it would be “James’ bike”.

Question and Exclamation Marks

These punctuation marks are often used to show a change in tone or indicate an emotional response. The question mark shows uncertainty, like when we ask questions like “What do you think?”

The exclamation mark is most commonly found after words, phrases, and sentences that express strong feelings. It can also be used for emphasis, but be careful employing it outside of dialog or commentary. Exclamation marks are easy to overuse!

Quotation Marks

Finally, quotation marks are used to create a clear separation. They’re most commonly used to indicate speech, capturing all of the spoken words and separating them from the rest of the narrative.

“I love punctuation,” stated the high school student. “It’s useful and fun!”

But quotation marks are also used to create separation within a sentence if you want to highlight a phrase or even cast doubt on it, such as:

We observed the “training” with some concern.

This use of quotation marks is intended to isolate part of a sentence from the rest, usually to create a contrast.

Breaking the Rules of Punctuation

Can we break the rules of punctuation? Yes, but only do so rarely, and only for a good reason. That reason is usually to grab the reader’s attention – upsetting the normal rhythm of a narrative by breaking punctuation rules is the written equivalent of a shout – but even so it has to be done carefully. Most of the time, you can use punctuation as it’s intended and still score dramatic points.

Conclusion

Punctuation marks are an essential part of writing. Without them our words just run together in an endless stream of consciousness, difficult to understand and easy to misinterpret. Every writer needs to master the basic rules of punctuation and use them consistently. Punctuation marks provide a lot of flexibility for the experienced writer, and while breaking the rules may occasionally be required, most of the time the punctuation rules will give you everything you need to write well.

Best wishes!

Ben

Here are some related posts I highly recommend:

How to Write a Compelling Book in 12 Steps: A Must-Read Guide for Nonfiction Authors

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How to Use Extended Metaphors: 7 Practical Steps

by Bennett R. Coles Leave a Comment

Extended metaphors are figures of speech where you compare two different things that are not alike in order to illustrate or emphasize their similarities.

This can be a difficult concept to understand at first and many times they’re used in a less than optimal way, but they’re an excellent literary device when used correctly.

In this article, we’ll discuss how extended metaphors work and I’ll show you seven practical steps so you can quickly learn how to use them effectively in your writing.

What Is an Extended Metaphor

An extended metaphor is a literary technique that connects two otherwise unrelated things by inventing analogies between them. A regular metaphor, on the other hand, has similarities between its related components only.

Extended metaphors are usually utilized to make a larger abstract idea clearer, creating emotional context for the readers.

Why Use an Extended Metaphor In Your Writing

Readers use metaphors to connect new unfamiliar ideas with familiar ones your readers can easily relate to, and that connection enhances their understanding of the otherwise foreign concept.

The reason metaphors in general, and extended metaphors in particular, work so well is that it’s much easier for readers to connect with something they’re familiar with even if not exactly what you intend to communicate, than to process something new that they have not yet fully grasped.

How Can I Avoid Cliches When Using This Device

To avoid cliches when using an extended metaphor, don’t use phrases or descriptions that feel old and tired. Don’t use metaphors that have been overused to death.

Also, avoid using metaphors in an unoriginal way. Re-read your metaphors critically and don’t be afraid to rework your text or remove a weak one if necessary, because a poorly executed metaphor will turn readers off!

7 Practical Steps for Writing an Extended Metaphor

tips

Here’s a set of seven sequential steps to build your extended metaphors from scratch:

Step 1:

Begin with a base metaphor (e.g. “The sky is the limit”.)

Step 2:

Use it as an analogy for a second idea (“You can’t put a price on your dreams”.)

Step 3:

Extend the metaphor to create a third idea (“I’m going to do whatever it takes to make my dream come true”.)

Step 4:

Add details that support your extended metaphor and help readers visualize it more clearly.

Step 5:

Be creative, but stay within your comfort zone so you’re not tempted to try something radically new that may backfire.

Step 6:

Don’t overuse extended metaphors in your writing or they will lose their power.

Step 7:

Practice creating extended metaphors with frequency until you get really good at it!

Next Steps

After reading this article, you’ll be able to better understand how extended metaphors can enrich your writing and create a more compelling story.

While it’s important to use extended metaphors to enhance your readers’ comprehension and emotional attachment to your writing, it’s as important to always be original and not to rely on overused cliches.

I hope this article has helped spark some ideas about what an extended metaphor is as well as to provide you with practical steps to begin incorporating them into your own writing.

Now it’s time to experiment!

Best wishes!

Ben

Here are some related posts I highly recommend:

The 7 Most Effective Book Promotion Ideas For Nonfiction Authors

How to Find The Best Book Marketing Services For Nonfiction

How to Promote Your Nonfiction Book to Rank High on Amazon